{"id":3018,"date":"2023-02-06T10:19:26","date_gmt":"2023-02-06T10:19:26","guid":{"rendered":"https:\/\/www.kilianrabinad.com\/codex-sinaiticvs-capitol-15\/"},"modified":"2023-04-18T10:54:46","modified_gmt":"2023-04-18T10:54:46","slug":"codex-sinaiticvs-capitol-15","status":"publish","type":"post","link":"https:\/\/www.kilianrabinad.com\/es\/codex-sinaiticvs-capitol-15\/","title":{"rendered":"Codex Sinaiticvs | Cap\u00edtulo 15"},"content":{"rendered":"\n<p><em>mH \u00abLc15, 11-32\u00bb, 19:00<\/em><\/p>\n\n<p>(&#8230;) La clave para descifrar el mensaje que Ekaterina me hab\u00eda enviado al m\u00f3vil, la encontrar\u00eda en el mismo museo Hermitage. En la segunda planta, se hallaban las salas dedicadas a pintores universales de la talla de los italianos Leonardo da Vinci, Rafael, Caravaggio, Tiziano, as\u00ed como tambi\u00e9n los flamencos Rubens, Anthony van Dick o Frans Snyders. De todos estos, Rembrandt, el genial pintor flamenco, era quien m\u00e1s me interesaba encontrar, y m\u00e1s concretamente, una de sus obras, realizadas en \u00f3leo encima de tela expuestos en el Hermitage: \u00abEl hijo pr\u00f3digo\u00bb. La pintura, ubicada en la sala dos-cinco-cuatro, de cerca de tres metros de altura, se expon\u00eda en una pared, al lado de un gran ventanal que le proporcionaba luz natural por el flanco derecho (&#8230;) (&#8230;)  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>mH \u00abLc15, 11-32\u00bb, 19:00 (&#8230;) La clave para descifrar el mensaje que Ekaterina me hab\u00eda enviado al m\u00f3vil, la encontrar\u00eda en el mismo museo Hermitage. En la segunda planta, se [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2619,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[143],"tags":[144,137],"class_list":["post-3018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-codex-sinaiticvs-es","tag-codex-sinaiticus-es","tag-kilian-rabinad-es"],"_links":{"self":[{"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/posts\/3018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/comments?post=3018"}],"version-history":[{"count":2,"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/posts\/3018\/revisions"}],"predecessor-version":[{"id":3194,"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/posts\/3018\/revisions\/3194"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/media\/2619"}],"wp:attachment":[{"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/media?parent=3018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/categories?post=3018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kilianrabinad.com\/es\/wp-json\/wp\/v2\/tags?post=3018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}